Music magazine Rolling Stone has published their first review of an Iron Maiden album since 1982's The Number of the Beast!
"A matter of life and death", Iron Maiden's fourteenth studio album, has all the traits of classic Maiden: multipart epics, time changes galore and the thick clank of Steve Harris' bass. There are some signs of wear -- the songs now march where they once galloped, and Bruce Dickinson's banshee wail can be slightly nasal, but there's still plenty of heft. The eight-and-a-half-minute "Brighter Then a Thousand Suns" could have gone on 1988's Seventh Son of a Seventh Son. The only real departure from the past is "For the Greater Good of God," a somber meditation on Christ that sounds like an answer to the band's old anti-religion stance. Overall, it's a solid, unembarrassing latter-day record from one of metal's elite. Iron Maiden appear to be -- we dare say -- aging gracefully.
CHRIS STEFFEN
"A matter of life and death", Iron Maiden's fourteenth studio album, has all the traits of classic Maiden: multipart epics, time changes galore and the thick clank of Steve Harris' bass. There are some signs of wear -- the songs now march where they once galloped, and Bruce Dickinson's banshee wail can be slightly nasal, but there's still plenty of heft. The eight-and-a-half-minute "Brighter Then a Thousand Suns" could have gone on 1988's Seventh Son of a Seventh Son. The only real departure from the past is "For the Greater Good of God," a somber meditation on Christ that sounds like an answer to the band's old anti-religion stance. Overall, it's a solid, unembarrassing latter-day record from one of metal's elite. Iron Maiden appear to be -- we dare say -- aging gracefully.
CHRIS STEFFEN